

Book of the Month - The Spanish Pearl |
Page 1 of 2 The Spanish Pearl by Catherine Friend is our featured book this month. We've transcribed an interview with Catherine Friend so you can read it if you prefer. The sequel to The Spanish Pearl, The Crown of Valencia is also available at Ultra Violet Lesbian Books.
We'd love you to go and review the book on our site - once you've purchased and read the book of course! Please let us know what you thought of the interview and the review. At the end of the article is a comment section. Does this sound like a book you'd like to read? What kind of questions would YOU have asked? Interview
You can download it here and listen to it later: Download Catherine Friend Interview (Right click, "Save as")
Read the Interview: ![]() Catherine Friend UV - For me it was a very, very unique type of book because it brought so many different types of elements into it for instance the history was amazing because when I read it I thought wow, 11th century what would it be like living in those times and your descriptions and everything were amazing. Would you carry on writing in this type of genre? CF - I love mixing genres up, that's why it was so hard to sell actually, because it is history and it's romance and it's adventure and it's time travel. And a lot of main stream persons are afraid of that. So I had to wait actually until Bold Strokes was formed a couple years ago so that I could find a home for it. And, yes, I want to keep writing that kind of story. I need lots of different things going on to keep me interested, but I love history and so most of my novels I think in the future will have some aspect of history to them. It's fun to read history. UV - And the next question, do you have a specific writing regime? CF - I wish I did (laughs). I think my life would be easier if I did. I do try and get up and write in the morning. But one day a week I do chores. There might be an emergency. I mean just as we are talking I see there is a baby chick missing out from the mother who's got her chicks out there. So as soon as we are done here I have got to go out and find that missing chick. The animals come first, if an animal is sick or hurt then I have to put the writing aside, but I do try to do my writing in the morning when I'm my freshest. UV - You've said that the genre you like and consider writing more of is historic type books, where do most of your ideas come from? CF - Where do my ideas come from, um, I might see an article in a magazine or I might hear something on the radio and I think, OOh, what if this happened or what if this person did that or what if. It is kinda the standard writing question to ask yourself, what if? What if this happened. So I read lots of different things and you never know when it might become important. I'm working on a pirate novel and I happenend to buy a book on the history of jiggsaw puzzles and I'm going through there and I'm finding jiggsaw puzzles of woman pirates. So, OMG, this has to be in my book, so suddenly I had to figure out a way to get the jiggsaw puzzle into the novel, because I thought it was so interesting. I just kind of pull from different areas. UV - What do you think is the most demanding part for you personally about writing? CF - For me, it's getting it right, it's making sure what's in my head comes out on the paper because I want to entertain people. I do not want people to be bored. I just can't stand picking up a book that bores me and I do not want to do that to other people and I realise everyone has different interest's and not all books appeal to everyone, but I really want to tell a good story and that can be really challenging if you have the story in your head and it's hard to get it down on paper. That's challenging. Deadlines is hard for me. I did not write any of the three books that you mentioned on deadlines. But I've had to write deadlines since. It takes a little longer to write than I thought. Meeting deadlines is hard. UV - Tell me if your book, The Spanish Pearl and the Crown of Valencia were to be made into a movie, who would you choose to play the main characters. CF - That's such a hard question, we've been asked that before from people. (laughs) We kinda just look at each other. I don't know, I'don't know. I'm really hooked on Claudia Black, who is in the Farescape TV Series. I'd love to have Claudia Black in something I wrote. UV - Has your life changed much since becoming a published author. CF - Yes, it has actually. I wrote for many years without anybody caring what I was writing or paying attention. I wrote Pearl and Valencia, um, eight or nine years ago, together. Nobody was interested and since my books have been out, it's has been a very different story. People are interested, editors are interested in my work and people are interested in what I'm writing. So that's been pretty wild actually (laughs). To go from having a very quiet life to having people recognising me and want to know what I'm working on next, but I'm adjusting. UV - What changes and trend have you noticed happening in the lesbian world over the past few years? CF - Well, I read lesbian fiction when I came out, I came out thirty years ago. (laughs) So, for a long time there was not much until the 80's and some of it really stuck with me like the McTavish Series by Sara Dreer. But alot of it I did not connect with, I did not enjoy it, it did not have the adventure. I needed the adventure. So I stopped reading lesbian fiction and it was not until the last three, fours years that I started reading it again because it really has exploded as far as options and there is more specultive fiction, there is more mystery, there is more adventure, there is better written romance. I think it has just exploded the last couple of years and I'm excited to be a part of it. UV - Do you read other novels while you are busy writing? CF - I don't, I don't. I might pick up a Charlotte Bronte, I might pick up Pride and Prejudice by Jane Austen sometimes. Reading those books, they're so good at sexual tension, I know that sounds really weird, those Victorian times. But I will read one of those books that are very different from my own novels. But when I'm working on my own novel I just don't want to be influenced, I just want to have my own story in my head so that I don't get confused. So I read non fiction. UV - You were talking about pirates, are you working on a new project right now and is it going to be released shortly? CF - I have a few more weeks of work to do on it and it will come out in December and it's called 'A Pirates Heart'. Part of it takes place in modern times. A Librarian who's trying to track down a map, left by a pirate. The then other part of the novel takes part in 1715 and it follows the life of the woman pirate. UV - That sounds awesome. (laughs) CF - It's been fun to work on. UV - Is it in the final stages? CF - Yes, I'm doing the final edits, then it has to go through copy editing and then we have to check for typo's and everything. It will go to press in November and then it will be shipped out in December. UV - Do you have any influence over the actual image, cover of the book. CF - With Bold Stokes, I do actually, with my other publishers they ask, but they pretty much have a clear idea. With Bold Strokes I sort of throw out some ideas I throw out some elements that are in the story and Sherry who does the cover takes that and runs with that and I'm really happy with the covers. I think they have a very distinctive look and they pull in elements of the stories. The publisher does ask if you like the cover or would you see something changed. I have worked with Sherry on a couple of things to tweak the cover. They are just very open to having feedback, which is great.
UV - We have quite a few or we get approached by quite a few new writers or budding writers. What advice would you give them about their writing? Click next to read the book review of this book.
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